See Films Differently · Nº 01
How Does The Crowd Find One Man in a Sea of Desks?
Follow King Vidor's office-camera movement in The Crowd, from a city facade to one desk, and see how scale makes a worker visible.
Journal topic
Essays connecting silent film with cinema and the act of looking.
See Films Differently · Nº 01
Follow King Vidor's office-camera movement in The Crowd, from a city facade to one desk, and see how scale makes a worker visible.
See Films Differently · Nº 02
Five shorts from 1914 and 1915 trace Chaplin’s Tramp from demanding attention to disappointment, responsibility and a rescue that belongs to a dream.
See Films Differently · Nº 03
Why can Minions make sense without translation? Follow their looks, voices and mistakes alongside Chaplin’s The Gold Rush and Keaton’s One Week.
See Films Differently · Nº 04
A talkie is a film with recorded, synchronised speech. See how The Jazz Singer, Blackmail and Modern Times changed what audiences could hear.
See Films Differently · Nº 05
Silent films usually had live music from a pianist, organist, ensemble or orchestra. Learn how cue sheets worked and why modern editions can sound different.
See Films Differently · Nº 06
Silent films can look too fast at the wrong frame rate. Learn how capture, projection and restoration shape motion—and why there was no single silent speed.