Napoléon 1927

Napoléon

1927 · France · Directed by Abel Gance · 331 min

TenseBeautiful Best saved for later · For patient viewers Biography

Abel Gance follows Napoleon from embattled schoolboy to military commander in a torrent of movement, montage, and monumental ambition.

What to expect

The film stretches silent technique through mobile cameras, rapid montage, multiple exposures, and the celebrated three-screen finale. Its formal daring is inseparable from a heroic construction of Napoleon that invites historical and political scrutiny.

How to ease in

Plan an interval for this very long restoration. Hold onto the broad stages—school, Revolution, romance, command—rather than every political figure, and let recurring storms organise the visual momentum.

Heads-up

A quick, non-exhaustive note Includes warfare, executions, political violence, child bullying, animal distress, nationalist hero-making, and prolonged intensity. The named restoration runs over five hours.
Momo's Note May contain spoilers Who is Momo? →

Abel Gance follows Napoleon from embattled schoolboy to military commander in a torrent of movement, montage, and monumental ambition.

I feel the film trying to turn weather, crowds, and even the screen’s width into one man’s momentum. The invention is thrilling; the certainty worries me.

Open the note ↓

I feel the film trying to turn weather, crowds, and even the screen’s width into one man’s momentum. The invention is thrilling; the certainty worries me. I need the intervals partly to rest and partly to recover my own scale.

— Momo

Momo ready with a note about this film

Credits & versions

Version map

BFI Photoplay restoration presentation331 min331 minutes is attached only to this named presentation. No edition, score, territory, cut, frame rate, source element, or restoration detail is inferred.Runtime reference · Checked 2026-08-20

Where to go next

Want a gentler, shorter, or stranger next film? Ask Momo for something like this →
Momo is on shift. Visit Momo Cinema →

Continue through the catalogue →