The Doll 1919

The Doll

1919 · Germany · Directed by Ernst Lubitsch · 66 min

FunnyStrange Great first watch · Easy Fantasy comedy

A shy heir tries to avoid marriage by choosing a lifelike mechanical doll, unaware that the doll-maker’s daughter has taken its place.

What to expect

Lubitsch presents the story as an openly artificial toy theatre. Painted sets, direct address, performance, and mechanical imitation make social rules look as constructed as the doll.

How to ease in

Accept the deliberate storybook artificiality. The fun comes from who knows Ossi is human, who thinks she is mechanical, and how each assumption changes acceptable behaviour.

Heads-up

A quick, non-exhaustive note Includes gender stereotypes, coerced marriage, objectification, and comic deception.
Momo's Note May contain spoilers Who is Momo? →

A shy heir tries to avoid marriage by choosing a lifelike mechanical doll, unaware that the doll-maker’s daughter has taken its place.

Everyone is calmer when they think Ossi is an object. I like how the joke exposes the behaviour people permit themselves when they believe no person is watching from inside the role.

Open the note ↓

Everyone is calmer when they think Ossi is an object. I like how the joke exposes the behaviour people permit themselves when they believe no person is watching from inside the role.

— Momo

Momo with notes about this film

Credits & versions

Version map

Wikidata 66-minute listing66 min66 minutes reproduces the single duration stated by the source. The listing does not identify a cut, score, territory, frame rate, source element, or restoration.Runtime reference · Checked 2026-08-22

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