The Lady from Shanghai 1948

The Lady from Shanghai

1948 · United States · Directed by Orson Welles

MysteryStrange Great first watch · Moderate Film noir

An Irish sailor enters the orbit of a glamorous woman and her wealthy husband, then finds desire, employment, and murder folding into one another.

What to expect

Orson Welles transforms a noir plot into a world of unstable narration and distorted surfaces, culminating in the famous hall-of-mirrors sequence.

How to ease in

Do not demand immediate clarity from every scheme. Follow who offers Michael a role and notice how each elegant setting makes his position less secure.

Heads-up

A quick, non-exhaustive note Includes murder, firearms, coercion, disability stereotypes, marital abuse, and disorienting plotting.
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An Irish sailor enters the orbit of a glamorous woman and her wealthy husband, then finds desire, employment, and murder folding into one another.

A mirror multiplies everyone while making it harder to know where to aim. I like that the final image turns the whole plot’s false versions into physical space.

Open the note ↓

A mirror multiplies everyone while making it harder to know where to aim. I like that the final image turns the whole plot’s false versions into physical space.

— Momo

Momo with notes about this film

Credits & versions

Credits
Screenplay
Orson Welles
Production
Orson Welles · Columbia Pictures Corp.
Cinematography
Charles Lawton Jr.

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