The Last Days of Pompeii 1913

The Last Days of Pompeii

1913 · Italy · Directed by Mario Caserini, Eleuterio Rodolfi · 88 min

TenseBeautiful Approachable · Moderate Historical epic

Love, jealousy, religion, and enslavement intersect in Pompeii as Vesuvius turns private intrigue into collective catastrophe.

What to expect

The film belongs to the Italian epic boom that expanded cinema’s architectural and crowd scale. Its destruction scenes make natural disaster the final force that rearranges every human hierarchy.

How to ease in

The names arrive quickly, so follow the central lovers and the schemes against them. Once the eruption begins, spatial orientation matters more than remembering every strand of intrigue.

Heads-up

A quick, non-exhaustive note Includes slavery, religious persecution, attempted murder, disaster, death, animal spectacle, and ethnic stereotyping.
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Love, jealousy, religion, and enslavement intersect in Pompeii as Vesuvius turns private intrigue into collective catastrophe.

Pompeii spends much of the film displaying order—homes, temples, ranks—before dust makes those distinctions difficult to see. I like the terrible clarity of that visual reversal.

Open the note ↓

Pompeii spends much of the film displaying order—homes, temples, ranks—before dust makes those distinctions difficult to see. I like the terrible clarity of that visual reversal.

— Momo

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Credits & versions

Version map

Wikidata 88-minute listing88 min88 minutes reproduces the single duration stated by the source. The listing does not identify a cut, score, territory, frame rate, source element, or restoration.Runtime reference · Checked 2026-08-22

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