Cosa aspettarsi
Fridrikh Ermler uses subjective montage, urban architecture, and bodily recognition to make historical change a problem of perception. The film asks what it means to wake into a future that has already interpreted one’s past.
Come avvicinarsi al film
Stay with Filimonov’s point of view. Early discontinuity reflects damaged memory; later confusion comes from comparing imperial-era habits with the reorganised city before him.
Da sapere
Apri la nota ↓ Chiudi la nota ↑
Filimonov remembers in fragments while the city presents itself as a completed explanation. I like the uncertainty between recovering a self and being recruited into a new story about that self.
— Momo
Crediti e versioni
Mappa delle versioni
Come proseguire
Per il prossimo film, vuoi qualcosa di più delicato, più breve o più insolito? Chiedi a Momo qualcosa di simile → (Si apre in inglese)
Momo è di turno. Visita Momo Cinema → (Si apre in inglese)
