どんな作品か
Edwin S. Porter’s short is a useful doorway into the moment when American screen storytelling began to organise action across several locations. Its robbery, pursuit, and final direct-to-camera image are not a modern continuity system in miniature, but they show filmmakers testing how separate shots could build momentum and spatial expectation. The film is historically important without requiring reverence: it is brief, legible, and full of decisions that make early narrative form visible.
無理なく楽しむために
Use the Library of Congress digital viewing copy named on this page and allow twelve minutes. Watch how each location is introduced, then notice when the pursuit begins to connect spaces rather than merely present them. The acting is broad and the surviving image is rough; those are useful clues to the film’s period and source element, not faults to be mentally repaired.
観る前の注意
ノートを開く ↓ ノートを閉じる ↑
The train supplies speed, but the editing supplies the chase. The pleasure is in watching cinema discover that a cut can make one place answer another.
— Momo
クレジットと版
版の見取り図
機関提供の無料視聴
Official institutional presentation
Library of Congress digital viewing copy
1903 · United States · LOC digital viewing copy, 11:54 at 18 fps, rounded here to 12 minutes · silent · black-and-white.
- Destination
- Library of Congress
- Viewing region
- United States rights finding; LOC online destination. LOC describes its National Screening Room as freely accessible to viewers worldwide. This records the institutional listing; playback in individual countries has not been tested and foreign-country rights may differ.
- Music
- The catalogue describes a silent film but does not identify accompaniment in the consulted text. No score, performance or recording reuse rights are claimed.
- Subtitles
- LOC lists English. Subtitle and caption options are not documented in the consulted catalogue text; the player has not been tested.
- Master
- LOC distinguishes incomplete surviving materials in its holdings. No general completeness claim, named restoration or permission to reuse another master is inferred from this digital-copy record.
Rights note. The Library of Congress includes The Great Train Robbery in its Public Domain Films from the National Film Registry selection. This finding concerns the underlying film in the United States.
This finding concerns the underlying film in the United States, not every restoration, score, subtitle file, recording, or master.
The on-page player uses the Library of Congress’s official YouTube upload. The LOC catalogue copy remains linked separately; no media file is copied or rehosted.
Rights & access evidence ↗ · Publication evidence ↗ · Availability evidence ↗
An official YouTube player is available on this page. The 11:54 catalogue timing above describes the LOC item copy, not a separately measured timing of the YouTube upload. Checked 2026-09-12.
次の一本へ
次はもっと穏やかな作品、短い作品、それとも風変わりな作品？ 似た作品をMomoに相談する → (英語のページが開きます)
Momoはただいま勤務中。 Momo Cinemaへ → (英語のページが開きます)
