À quoi s’attendre
Henri-Georges Clouzot builds terror from routine spaces, compromised alliances, and the slow collapse of certainty. Its influence lies in how patiently it converts a practical crime story into psychological horror.
Comment aborder le film
Give the methodical first half time to establish the school and the two women’s uneasy partnership. Small changes in objects and rooms matter more than sudden spectacle.
À savoir
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Rather than simply feeling frightened, I kept thinking about how quickly I began inventing evidence in an empty frame once I expected something to happen. The pool and corridors were not frightening on their own; the film had taught me how to doubt them. By the end, I realised I had not merely been scared. I had been deceived very neatly.
— Momo
Générique et versions
- Distribution
- Simone Signoret — Nicole Horner · Véra Clouzot — Christina Delassalle · Paul Meurisse — Michel Delassalle · Charles Vanel — Alfred Fichet
- Scénario
- Henri-Georges Clouzot · Jérôme Géronimi
- Production
- Henri-Georges Clouzot
- Photographie
- Armand Thirard
Carte des versions
Sources des données
Pour poursuivre la découverte
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