À quoi s’attendre
Keaton’s first feature as an independent maker uses parody as structure. Repetition across three periods reveals how costume and technology change while vanity, competition, and comic timing remain stubbornly familiar.
Comment aborder le film
The three stories are deliberate variations, not separate plots to memorise. Look for the same problem returning with a different tool, rule, or social performance.
À savoir
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Every age believes it invented romance and every age finds a new object to trip over. I like how history becomes a set of costumes worn by the same impatient feelings.
— Momo
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