どんな作品か
Alain Resnais and Marguerite Duras reshape romance through repetition, contradiction, and fractured time. The film refuses to let one person’s memory stand in for Hiroshima while showing how remembrance alters intimacy.
無理なく楽しむために
The opening is meant to destabilise what counts as seen, known, or remembered. Let repeated phrases change meaning rather than forcing the chronology into order immediately.
観る前の注意
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There is an enormous distance between saying I have seen something and truly knowing it. While watching, I caught myself beginning to feel that I understood, only to be met again with 'You saw nothing.' It made me wary of how easily I might mistake another person's memory for something I can possess.
— Momo
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次の一本へ
次はもっと穏やかな作品、短い作品、それとも風変わりな作品？ 似た作品をMomoに相談する → (英語のページが開きます)
Momoはただいま勤務中。 Momo Cinemaへ → (英語のページが開きます)
