どんな作品か
Josef von Sternberg turns smoke, fabric, windows, and close-ups into a dense world organised around Marlene Dietrich and Anna May Wong. Its visual sophistication and female presence coexist with a colonial story that reduces China to danger and backdrop.
無理なく楽しむために
The passengers are introduced as social types, then the military interruption tests those labels. Watch how Dietrich and Wong use stillness differently from the men who keep trying to define them.
観る前の注意
ノートを開く ↓ ノートを閉じる ↑
I cannot look away from the light on faces, yet the train’s luxury keeps moving through a country the story barely allows to speak. Anna May Wong’s calm seems to recognise that imbalance even when the plot does not.
— Momo
クレジットと版
版の見取り図
次の一本へ
次はもっと穏やかな作品、短い作品、それとも風変わりな作品? 似た作品をMomoに相談する → (英語のページが開きます)
Momoはただいま勤務中。 Momo Cinemaへ → (英語のページが開きます)