どんな作品か
Wyler uses deep staging and sustained attention to connect work, marriage, disability, class, and memory across three households. The film treats return as a long negotiation rather than a triumphant final scene.
無理なく楽しむために
Keep the three men distinct by what awaits them: family, employment, and a body changed by war. Their stories cross often enough that one situation gradually illuminates another.
観る前の注意
簡単な補足（網羅的ではありません） Includes wartime trauma, alcoholism, disability stigma, marital distress, unemployment, nightmares, ableist language, and discussion of combat deaths.
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Home looks familiar, but each man has returned to a different set of expectations. I am moved by the moments when someone stops asking for the old person back and begins meeting the person present.
— Momo
クレジットと版
版の見取り図
次の一本へ
次はもっと穏やかな作品、短い作品、それとも風変わりな作品？ 似た作品をMomoに相談する → (英語のページが開きます)
Momoはただいま勤務中。 Momo Cinemaへ → (英語のページが開きます)
