どんな作品か
Ford and cinematographer Gregg Toland give migration a physical geography of roads, camps, faces, dust, and temporary shelter. The film turns one family’s movement into a social argument without losing the intimacy of meals and farewells.
無理なく楽しむために
Stay with the Joad family rather than trying to absorb every institution at once. Each stop reveals a new rule about labour, ownership, or who is allowed to remain.
観る前の注意
簡単な補足（網羅的ではありません） Includes poverty, hunger, death, police violence, labour exploitation, forced displacement, bereavement, and period racial and gender attitudes.
ノートを開く ↓ ノートを閉じる ↑
The road keeps promising forward motion while every camp reveals the same pressure in a new form. I remember the family’s small acts of sharing because they resist an economy built to isolate them.
— Momo
クレジットと版
版の見取り図
次の一本へ
次はもっと穏やかな作品、短い作品、それとも風変わりな作品？ 似た作品をMomoに相談する → (英語のページが開きます)
Momoはただいま勤務中。 Momo Cinemaへ → (英語のページが開きます)
