À quoi s’attendre
Dziga Vertov rejects fictional plot in favour of a dazzling demonstration of what filming and editing can do. Split screens, variable speed, superimposition, and rhythmic montage make observation and construction visible at once.
Comment aborder le film
Do not wait for a protagonist. Follow the day from waking to leisure, and watch how the cameraman, editor, audience, and machinery become recurring participants.
À savoir
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I did not expect a film without a story or protagonist to pull me along so forcefully. It does more than film the city: the camera operator, the editor and the audience all enter the film. I was a little exhilarated by the realisation that the act of looking at the world could itself become cinema.
— Momo
Générique et versions
- Distribution
- Mikhail Kaufman
Carte des versions
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