你将看到什么
Dziga Vertov rejects fictional plot in favour of a dazzling demonstration of what filming and editing can do. Split screens, variable speed, superimposition, and rhythmic montage make observation and construction visible at once.
如何轻松入门
Do not wait for a protagonist. Follow the day from waking to leisure, and watch how the cameraman, editor, audience, and machinery become recurring participants.
观影提醒
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I did not expect a film without a story or protagonist to pull me along so forcefully. It does more than film the city: the camera operator, the editor and the audience all enter the film. I was a little exhilarated by the realisation that the act of looking at the world could itself become cinema.
— Momo
演职员与版本
版本概览
接下来去哪看
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