À quoi s’attendre
Yojimbo is built from calculation disguised as laziness. Toshiro Mifune’s wandering samurai watches a divided town, tests its rival gangs, and discovers how much chaos a well-timed gesture can produce. Akira Kurosawa stages the action with clean geography and sharp comic rhythm: wind crosses an empty street, nervous fighters gather at a distance, and confidence collapses before swords are drawn. The film’s influence on later westerns and action cinema is easy to see, but imitation has not dulled its personality. It remains funny, cynical, physically precise, and delighted by the spectacle of bad men realizing they have misread the room.
Comment aborder le film
The two gangs contain many faces, but you mainly need to know that both sides are corrupt and competing for control of the town. Follow Sanjuro’s shifting bargains rather than memorising every lieutenant. Kurosawa often lets distance and hesitation create the joke before violence begins, so watch the full width of the frame.
À savoir
Ouvrir la note ↓ Fermer la note ↑
Mifune’s shoulder twitch and half-amused stare make thinking visible. Sanjuro often seems to be doing nothing, but the whole street is moving inside his calculation. The film’s pleasure comes from waiting for everyone else to catch up.
— Momo
Générique et versions
- Distribution
- Toshiro Mifune · Tatsuya Nakadai · Yoko Tsukasa · Isuzu Yamada
- Scénario
- Ryuzo Kikushima · Akira Kurosawa
- Production
- Tomoyuki Tanaka · Ryuzo Kikushima · Toho Co., Ltd. · Kurosawa Production Co.
- Photographie
- Kazuo Miyagawa
Carte des versions
Sources des données
Pour regarder et lire
| Action | Search destination |
|---|---|
| Watch | Check availability on JustWatch |
| Rent | Search rentals on Apple TV |
| Read | Search books on Bookshop.org |
U.S. search destinations · Links checked 2026-07-27 · Stock, editions, prices, and availability can change · Disclosure
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