High and Low

Name: High and Low
Genre: Crime
Released: 1963
Duration: 143 min
Cast: Toshiro Mifune, Tatsuya Nakadai, Kyoko Kagawa, Tatsuya Mihashi

天国と地獄

年份: 1963 (以英语打开)
导演: Akira Kurosawa (以英语打开)
片长: 143分钟Criterion 4K digital restoration 版本资料来源 ↓

A ransom demand turns one room, then an entire city, into evidence.

查找观看方式 ↓ 观影之前 ↓

这些是搜索链接，不代表已确认可观看。请核对版本和地区。

制片国家: Japan (以英语打开)
语言: Japanese

Tense Mystery 非常适合入门 · 中等 Crime

编辑：Monocurator

High and Low: A red telephone cord connects a bright elevated room to a deep blue paper city below.

Image: Monocurator · source · Original Monocurator artwork

High and Low vs Highest 2 Lowest: what changes?

Spike Lee’s Highest 2 Lowest (2025) reworks the central dilemma of Akira Kurosawa’s High and Low (1963): a wealthy man is asked to pay for his chauffeur’s kidnapped child. The mistake changes whose child is at risk without releasing him from a decision that could cost his business.

A24 describes Lee’s film as a reinterpretation. The two films share that predicament, then give money, work and the city different roles.

One dilemma, two different worlds
Compare	High and Low1963 · Akira Kurosawa	Highest 2 Lowest2025 · Spike Lee
Work	Kingo Gondo, played by Toshiro Mifune, makes shoes. A dispute over their quality introduces his business ambitions.	David King, played by Denzel Washington, produces music. His professional ear and plans for a comeback establish his position.
The money	Gondo has committed his resources to gaining control of his company. The ransom threatens that carefully prepared future.	King is also preparing an expensive move to regain company control. Another family’s emergency interrupts his own bid for independence.
The city	A hilltop home overlooks Yokohama. A confined living-room crisis opens into a train journey and a police search through the city.	A Brooklyn penthouse gives way to New York streets and the subway. Baseball crowds and the Puerto Rican Day Parade complicate the ransom operation.
The pursuit	Police teams piece together observations. A headquarters briefing cuts between their reports and the places they have investigated.	King’s own pursuit takes a larger role. Music becomes part of the investigation, giving his professional identity a practical use.

Sources: Geoffrey O’Brien on Kurosawa’s film · Spike Lee interviewed by Beatrice Loayza

Why watch High and Low after Highest 2 Lowest?

Watch Gondo’s old shoemaking tools come out to help prepare the ransom cases. His working life suddenly matters beyond the money it brings in. For me, that action makes the threatened career tangible: we have seen a skill, rather than only heard a price.

Then follow the shift from Gondo’s room to the detectives’ collective work. After Lee’s music-driven pursuit, Kurosawa offers another way to distribute our attention: among the person paying, the family needing help and the people assembling the evidence. That changing point of view makes the original worth seeing even when you know the premise.

Watch · Rent · Read Check availability on JustWatch Search rentals on Apple TV Search books on Bookshop.org U.S. search links, not availability claims · Disclosure

你将看到什么

High and Low changes scale without losing pressure. Akira Kurosawa begins inside a wealthy executive’s hilltop home, where a kidnapping forces moral choices into a tightly arranged room. The film then opens into streets, trains, offices, and crowded nightlife as the investigation becomes procedural. That shift from private crisis to public system is the design, not a change of subject. Architecture and class remain visible in every stage: who looks down, who must climb, and whose suffering is treated as leverage. The result is a gripping crime film whose precision keeps revealing the social distance inside its title.

如何轻松入门

The first section is intentionally confined and dialogue-heavy. Pay attention to where each person stands in the room and how the large windows frame the city below. When the film becomes a police investigation, enjoy the procedural detail rather than waiting for a quick return to the household. The two halves are testing the same moral problem from different elevations.

观影提醒

简要提示，并非详尽清单 Includes child kidnapping, threats of murder, drug use and overdose, police pursuit, class resentment, medical distress, and discussion of capital punishment.

Momo's Note 可能含剧透 Momo是谁？ → (以英语打开)

展开笔记 ↓ 收起笔记 ↑

The house seems powerful because it can see everything below, yet the crisis makes it feel exposed and airless. Later, the city becomes crowded with clues and still keeps people separated. Kurosawa turns height into a moral discomfort that never quite leaves the frame.

— Momo

演职员与版本

演员: Toshiro Mifune · Tatsuya Nakadai · Kyoko Kagawa · Tatsuya Mihashi
编剧: Hideo Oguni · Eijiro Hisaita · Ryuzo Kikushima · Akira Kurosawa
制片: Ryuzo Kikushima · Tomoyuki Tanaka · Toho Co., Ltd. · Kurosawa Production Co.
摄影: Asakazu Nakai · Takao Saito

版本概览

Criterion 4K digital restoration 143 min · restoration · US Current Criterion presentation; the NFAJ 35mm collection record also reports 143 minutes. 来源：The Criterion Collection — High and Low 片长参考资料 · 核查日期：2026-07-27