Original Monocurator collage for On the Waterfront

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On the Waterfront

1954 · United States · Directed by Elia Kazan · 108 min

BleakTense Great first watch · Moderate Drama

A dockworker caught inside a corrupt system begins to understand the cost of silence.

Which aspect ratio should I choose on Criterion's edition?

We recommend 1.66:1 for a first viewing of Criterion's Blu-ray or DVD edition. Criterion describes this as its official presentation.

That edition also includes 1.33:1 and 1.85:1 presentations. In its accompanying note, Criterion says you can watch the film in its entirety in either alternative. The choice concerns the shape of the presentation; there is no need to compare all three before beginning.

Afterwards, you can revisit a familiar scene in another ratio. If the numbers or black bars are unfamiliar, our aspect-ratio guide explains how the frame relates to your screen.

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What to expect

On the Waterfront combines location realism, a forceful score, and Method-influenced performance in a drama about labor corruption and personal responsibility. Marlon Brando’s Terry Malloy is physically capable yet emotionally stalled, and the film’s close attention to gesture made his uncertainty as important as the plot’s public testimony. Elia Kazan gives the Hoboken waterfront a cold, pressured texture where work, loyalty, violence, and neighborhood life overlap. The film’s politics remain debated in relation to Kazan’s own testimony, but its performances and visual language permanently changed American screen acting.

How to ease in

Approach the film as both a moral drama and a historically contested work. Terry’s small hesitations matter as much as his speeches, so watch Brando’s hands, posture, and avoidance of eye contact. The romance and labor plot are connected by the question of whether private decency can survive organized intimidation.

Heads-up

A quick, non-exhaustive note Includes murder, organized corruption, coercion, beatings, threats, grief, and victim-blaming language.
Momo's Note Who is Momo? →

A dockworker caught inside a corrupt system begins to understand the cost of silence.

Terry often seems to be listening to a thought he cannot yet say. Brando makes conscience look physical: a shoulder turning away, a hand occupied with an object, a face searching for somewhere safer to rest.

Open the note ↓

Terry often seems to be listening to a thought he cannot yet say. Brando makes conscience look physical: a shoulder turning away, a hand occupied with an object, a face searching for somewhere safer to rest. The film’s argument happens inside those delays.

— Momo

Momo guiding the way into this film

Credits & versions

Credits
Screenplay
Budd Schulberg
Production
Sam Spiegel · Horizon-American Pictures, Inc.
Cinematography
Boris Kaufman

Version map

1954 AFI-catalogued US release108 min · original release · USAFI gives a 107–108-minute range; 108 minutes is shown here as the rounded value.Runtime reference · Checked 2026-07-27

Ways to watch and read

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Where to go next

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